The distributed exhibition connected non-existent villages conceptually and/or technologically to the gallery space, linked proto machines and/or rural symbols to contemporary technological culture. Participating artists excavated embedded meanings in these culturally changing environments and searched for intersections of traditional and contemporary cultural practices in peripheral spaces. The finissage was a joint bus tour passing by the gallery, the outdoor installations and featured site-sensitive sound performances.
The project of non-existent villages dealt with culturally organized areas of landscape and activated spaces where human habitation had ceased. These villages were considered as null pointers; existing points on the maps and fragments in cultural memory which have lost the objects being refered to.
Overgrown areas are in-between spaces where meaning has transformed into lush vegetation and grand narratives have vanished. These neglected areas give the impression of noise, like the static of television, or of spaces of void and nothingness which call for the restoration of functional landscape. On the other hand, these places are less rigid in their structure and are open for playful experiments.
Vertical continuity where each generation hands down their accumulated knowledge to the next has transformed into horizontal and hypertextual cultural field where traditional knowledge is competing with whatever else is available. Traditional knowledge has been in many ways connected to rural life and embodiment into natural surroundings thus becoming alien to our current mode of operation and therefore making it increasingly harder to find applicapable ways to our current life-styles.
The month-long exhibition was on display simultaneously in Võru Town Gallery and in three non-existent villages in Southern Estonia. The exhibition concluded with a closing event, a joint tour which passed by the gallery, the installations in the landscape and featured site-sensitive sound performances by Derek Holzer + Marco Donnarumma, Patrick McGinley and Villem Jahu.
Participating artists: Erik Alalooga, Error Collective, John Grzinich, Evelyn Müürsepp-Grzinich, Ott Pilipenko, Taavi Suisalu, Timo Toots
Curated by Taavi Suisalu
Project of Non-existent Villages in Echo Gone Wrong by Ernest Truely
Teos, mis raputab hüljatud külade võssa kasvanud tähendusi in Müürileht by Anna-Liisa Unt (in Estonian)
Interview in Kunstiministeerium by Indrek Grigor (in Estonian)